It was with Browne's assistance that Zevon got a major record contract. Their relationship played a significant role in his career thereafter. The track was produced by Jackson Browne, who met Zevon in the mid-seventies. The lyrics of the song describe the latter days of a relationship between a man and a woman, with the woman accepting that "nothing's working out the way they planned" before the man accepts that "she needs to be free". Linda Ronstadt would continue her coverage of the music of Buddy Holly with the album’s first single entitled That’ll be The Day. The album contained four wonderful singles. Hasten Down the Wind Linda Ronstadt 70s Rock Album of the Day Linda Ronstadt Friday, NovemLinda Ronstadts third million-selling album in a row, HASTEN DOWN THE WIND displays the multifaceted approach that made the performer one of the most successful of the 1970s. The album was a huge seller from Linda Ronstadt selling over a million copies. The song was later covered by Linda Ronstadt, who would use the song as the title track for her seventh solo LP. In 1976, Linda Ronstadt released the great album Hasten Down The Wind. "Hasten Down the Wind" is a song written and recorded by Warren Zevon and featured on his eponymous major-label debut album. She simply allows the beauty of this well-structured song to speak for itself.1976 single by Warren Zevon "Hasten Down the Wind" She doesn’t battle the instruments she doesn’t strain for high notes. And I hasten to add that it is a book that can help a lot more people. She sounds at peace with herself as she sings of foolish lovers who don’t take the time to discover love’s true meaning. talk to up, down, and sideways in the chain of command, often including family. Ronstadt’s interpretation is extraordinarily subtle, sly and witty. Swirling electric piano figures and a barely audible mandolin establish an irresistibly exotic ambiance. This thesis examines e-book cultural value in terms of legitimacy, particularly as framed by readers in terms of realness and bookness. Ry Cooder’s “The Tattler” is one of the album’s two gems. Her reading could be tougher, but the music behind it - particularly the solo sparring between guitarists Andrew Gold and Waddy Wachtel - has enough bite to overcome the vocal shortcomings. The version of “That’ll Be the Day” included here neither alters my feelings for nor threatens the Buddy Holly original.
I’ve always appreciated Ronstadt’s good-natured approach to her remakes of rock ‘n’ roll oldies. Linda Ronstadt and Band Hasten Down the Wind Tour London 1976. And in a few instances it’s as good as anything Ronstadt has done. Linda Ronstadt Photos- Hasten Down the Wind Tour- London 1976. When she is joined on the chorus by Don Henley (of the Eagles) the impact of the song’s touching and mystifying lyric is completely blunted by the beauty of the harmonizing. Here, strings and Andrew Gold’s impersonal piano accompaniment take the song all the way out of the danger zone, and Ronstadt’s carefully articulated, stodgy vocal belies her misunderstanding.
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In the original version, stinging, venomous guitar lines plus ethereal guitar solos accentuated Zevon’s weary vocal. While it is certainly not in a league with her masterpiece, Heart like a Wheel (and I’m beginning to believe its perfection occurs but once in an artist’s career), Hasten down the Wind is nonetheless representative of Ronstadt redivivus, of Ronstadt, the sensitive, introspective stirring we have admired all these years.Īside from the inclusion of two innocuous songs - “Lo Siento Mi Vida” and Karla Bonoff’s “If He’s Ever Near” - the album’s problems are fairly well exemplified by the totally wrongheaded interpretation of the Warren Zevon-penned title song, which delineates the chilling tale of a lover’s indecisiveness. This is Linda Ronstadt’s tenth album (including the three made with her first group, the Stone Poneys). Think instead of a gifted singer - perhaps our most gifted - who has given us (arguably, I admit) some 40 memorable songs but failed, and miserably so, to connect with much passion on her last album, Prisoner in Disguise. When I say welcome back, don’t think of John Sebastian’s awful song, or the equally awful television show it introduces.
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